![]() ![]() They leave Atlas bound to cooperation with those in possession of one of the contracts at their demand. The recovery of these contracts is a goal of Atlas. As of the year 2000, four contracts had been recovered, but the locations of the remaining three were unknown. Within the world of Fate/Grand Order, an eighth contract was also created by Sion Eltnam Sokaris.īlackmore Cemetery possessed one of the contracts, which allowed them the use of Logos React. Zepia Eltnam Oberon was the director of the Atlas Temple over 500 years ago in the world of Tsukihime. Zepia Eltnam Atlasia was the last director named in the Atlas Temple in the world of Fate/Grand Order. In the Tsukihime universe, the Vice-Director Sion was awarded with the name Atlasia, which marks her as the Temple's next director. While looking through the artifacts I collected in the room, there was a cage that interest me.In the timeline of Fate/EXTRA, it's her twin sister Sialim Eltnam Re-Atlasia who receives the name, and subsequently becomes the last Director of Atlas. Unlike any other cage, this one was different. An eternal flame has been light inside it for who knows how long. Me: Let's see hear *take the note and read it* I found it quite curious so I put it in front of the middle of the summon circle and whisper the spell I found on a note stick to the cage. (The summon circle started to lighten up, creating a fog that was thick enough to blind me. It took a couple of minutes before the fog disappeared. ![]() When the fog is gone, a woman walks out from the summon circle, holding a lance. However, the woman standing in front of me wasn't her but Ereshkigal, goddess of the underworld) She resembled an acquaintance of mine back in London, Rin is her name. Goddess of Underworld, guiders of the lost soul, Ereshkigal. Me: *stand up and held out hand* Nice to meet you too, I'm Allen.Įreshkigal: Oh, what a gentleman. Me: Call the team, I'll be in the Hangar, ASAP.Įresh: Another one? What do you mean by another "one"? Staff: SIR! *open the door* Another Holy Grail fragment has been detected near Atlas. Me: Get the ship ready and tell Holmes and Skadi to be ready *turn to Eresh* Can I call you Eresh for short? Staff: Roughly 40 miles away from Atlas' border. Just who are those two you mention earlier? Me: *hold her hands* I know it's too sudden since you just got summoned but I need your help.Įresh: O-Of course, I will help you. While Jacques was busy talking to his sponsors and business partners, Weiss walks out of her house to get some fresh air from her house. ![]() Sometimes, she just wants to escape the harsh environment that she took from his father and mother. Walking through her house's garden to forget things that happened back in Vale, she noticed that the ground started shaking stronger and stronger. Curiously, she looks in the direction that the shaking comes from noticed a giant strange-looking creature slowly walking toward Atlas. It wasn't anything she has ever seen before, in fact, it's even bigger than Beacon academy. Me: W-what in Remnant is that thing? *notice a Bullhead coming from behind the creature* What the.Photographic observation of the Moon is undergoing a worldwide renaissance among present-day amateurs, partly through professional video cameras at affordable prices and even more through the availability of image-processing software written by amateurs. With modern imaging techniques and the corresponding software for image processing and observational planning, amateurs today obtain images of the Moon, taken with telescopes with apertures of 150–350 mm, in which the resolution is in the sub-arcsecond region. Their quality is far superior to the professional images in the large lunar atlases of the last century. The 388 Moon photographs shown in this lunar atlas were chosen from the resources of the three participating astrophotographers. They were all obtained with digital cameras. Alan Chu, a lunar photographer from Hong Kong, mainly uses a 10-inch Newtonian. Mario Weigand, an astrophotographer from Offenbach, took his photographs with 11- and 14-inch Schmidt-Cassegrain telescopes, while Wolfgang Paech from Hannover photographed the Moon with a 6-inch refractor and a 14-inch Schmidt-Cassegrain, not only from Germany, but also from Namibia. The photographs from the three authors were augmented by individual photos by Michael Theusner and Wolfgang Sorgenfrey. The basis for the text of this book came from the Photographic Moon Book by Alan Chu. It was translated, brought up-to-date, and significantly expanded by Wolfgang Paech. ![]()
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